In her lecture and sound performance Eat Your Enemy #4 I don't want to want, Janine Eisenaecher reflects upon the artist's job, and through different forms of writing questions and actualises her own relation to her work and to the art field. Here, she appropriates John Cage's lecture “Composition as Process“ (1958) by writing herself and her own process - her experiences, thoughts, and feelings about being a white, feminist performance artist nowadays – into his text in order to discuss the working conditions and, more specifically, the invisible work of artists. In Part 2 of this work, Eisenaecher will rewrite parts or aspects of her lecture, including the experiences she makes on-site in The Performance Arcade, transforming these texts into other media and performing with them in diverse ways. Through the combination of text, objects, sound, voice, and video works she creates an active, changing, and dialogic thinking and writing space.