A machine that creates discourse and dialog, a generator of critique, a performer in a feedback loop and the subject of the critical response. Two modes of performance. First, the mechanical performance through physical manipulation of machinery to propel parts of the machine that stamp, press, transfer, scratch, and stencil words onto a roll of paper, creating sentences that become critique. The second mode, a theatrical performance or oratory delivery of the text that has been generated. In the tradition of deconstructed Dadaist poetry, the sentences produced from the machine are comprised of common phrases and terminology used in the critique, discussion and descriptions of creative works. Mixed, re-­arranged, and reproduced on the large rolls of paper, these phrases are combined without the direct contact of the artist.