Drawn to Light
Wellington 2019
Lisa Munnelly
Drawn to Light can trace its beginnings back to an ancient Greek myth that is described as the origin of drawing, in which a woman anticipates her lover leaving on a long journey and traces the outline of his shadow before he leaves. Both then and now, a presentiment of absence fuels the desire to draw; to cast out lines as anchors and inscribe marks to fix what is fleeting. In this work however, the identity of the drawer and those drawn is hidden from each other by a screen, and the artist is not tracing the likeness of one known to her but the silhouettes of strangers. Drawn to Light transforms the shipping container into a hybrid space akin to the photo-booth and gallery, with one end of the container functioning as a studio and the other end as a screen that displays the accumulating collection of portraits over the exhibition period.
Lisa Munnelly is a Wellington-based artist whose practice is positioned at the boundary of drawing and performance. In presenting the drawing process live to gallery audiences as well as on stage, she transforms the typically private act of drawing into a public event.
Lisa ’s drawing performances are devised to operate as a stage upon which materials are called upon to act, continuing the trajectory of her focus on the enactment, analysis and celebration of materials’ capacity to both perform and transform.
Her work has been exhibited nationally at Pataka, Hirschfeld, Toi Poneke and Te Tuhi galleries, and internationally at; ‘SATELLITE Project’ (Shanghai), ‘Draft’ First Site Gallery (Melbourne) and ‘Draw to Perform’ Fabrica Centre for Contemporary Art (Brighton).
Her academic research on drawing has been presented at symposia including; Drawing||Phenomenology: tracing lived experience through drawing. (University of Loughborough, UK), Performing Writing Symposium, (Massey University Wellington), Drawing Out (RMIT University Melbourne), International Performance Design Symposium (Danish Institute, Rome).
Munnelly’s writing on drawing is published in a number of notable journals including; Performance Research; On Writing and Performance, IDEA Journal: DARK SPACE: the interior. Studies in Material Thinking, Volume 4, and she is the author of the book chapter Drawing upon the Aesthetics of Immersion published in ‘Performance Design’ Museum Tusculanum Press, University of Copenhagen.
Thanks to Oli Blair and Jack Tapley for technical assistance, Massey University 3D Workshop Technicians
Massey University (College of Creative Arts School Research Project Funding) / Hiremaster ( Hiremaster LOGO in artist folder to accompany media please. ) / Supported by Wellington City Council Public Art Fund