The artist works to recreate and maintain the image of The Winged Victory of Samothrace in a shipping container, as a piece of living sculpture and scene-making. As one of the most celebrated sculptures in the world Winged Victotry stands as an icon of Western Civilization, originally made to honor a sea battle and installed a rostral pedestal of gray marble representing the prow of a ship. While creating a revolution in cargo transportation and international trade, shipping containers have been used systematically for the smuggling of migrants and human trafficking, as a result of the humanitarian crisis we live in today.

The artist's personal experience as an alien showed her time and time again the contradictions inherent to the migrant experience and the big gap between expectation and reality in it. In this piece, she problematize the Victory of Samothrace as a symbol connected to ideas of linear progress and order, to insert parallel narratives and the chaotic, asymmetrical and tragic aspect of the human experience.